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Fortification Spectrum
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I turned around, looked straight into a light bulb, rubbed my eyes and then I saw this rainbow-like zig zag pattern forming in my vision. As real as your iphone you keep looking at. It kept growing. Panic ensued, a new experience. I couldn't get help from Google because this thing was getting in the way of my vision enough so I couldn't even read the computer screen. Thought I was having a stroke. After an hour it went away.
Phew.
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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Everywhere at the end of time
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There really is nothing else that sounds quite like this project. The hypnotic soundscapes capture me enough for the whole 6+ hours to feel like no time has passed at all. Oh also it sounds phenomenal, this is like a 9 or a 10.
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Arc Mountain
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A meeting of the minds, guaranteed to melt yours.
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More playful, jazz-infused electronica from UK producer Sad Man, full of intricately layered arrangements and sumptuous percussion.
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A glimmering ambient suite from Swedish composer Tomas Nordmark draws connections between the NYC avant-garde scene and classic film scores.
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sleep like it's winter
by Jim O'Rourke
supported by 126 fans who also own “Fortification Spectrum”
"Yes, yes in winter's better, After is easier to sleep, to go Over thoughts, with a book by Lucretius Open by your fingesr" Paolo Conte, "La donna d'inverno (Woman in Winter)".
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Steamroom 40
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supported by 110 fans who also own “Fortification Spectrum”
Every time you listen to this, you hear something new. It's incredible.
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