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March 2016
39:54
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Joy Boy
by Julius Eastman
supported by 182 fans who also own “March”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Everywhere at the end of time
by The Caretaker
supported by 179 fans who also own “March”
It's humbling. A reminder to make good life choices. It's also a place to get lost for an extended time in the here and now.
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Arc Mountain
by Hausu Mountain & Deathbomb Arc Artists in Collaboration
A meeting of the minds, guaranteed to melt yours.
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The Man from S.A.D
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More playful, jazz-infused electronica from UK producer Sad Man, full of intricately layered arrangements and sumptuous percussion.
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Exit Ghosts
by Tomas Nordmark
A glimmering ambient suite from Swedish composer Tomas Nordmark draws connections between the NYC avant-garde scene and classic film scores.
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sleep like it's winter
by Jim O'Rourke
supported by 127 fans who also own “March”
"Yes, yes in winter's better, After is easier to sleep, to go Over thoughts, with a book by Lucretius Open by your fingesr" Paolo Conte, "La donna d'inverno (Woman in Winter)".
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Steamroom 40
by Jim O'Rourke
supported by 112 fans who also own “March”
Every time you listen to this, you hear something new. It's incredible.
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