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1. |
PART A
28:20
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2. |
PART AA
09:28
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Joy Boy
by Julius Eastman
supported by 188 fans who also own “MERCY CUTS I”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Everywhere at the end of time
by The Caretaker
supported by 184 fans who also own “MERCY CUTS I”
Terrifying, beautiful, and in some parts surprisingly head bopping. I love it.
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Shutting Down Here
by Jim O'Rourke
supported by 175 fans who also own “MERCY CUTS I”
With the entanglement and interaction of noise and musical tone, we seem to have traveled through the jungle infested by ghosts, and witnessed a new universe being reborn in this strange chaos and harmony. Through this recording, Jim O’Rourke reconstructed the order of sound in a sense.
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Dirge
by Joanna Mattrey
This collection of six fiddle songs is dark in color and mood, with Mattrey treating her instrument with ghostly digital effects.
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Leaving None But Small Birds
by The Body and BIG|BRAVE
Two distinct voices in the world of heavy music collaborate on an experimental take on traditional folk.
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Black Encyclopedia of the Air
by Moor Mother
The experimental artist's latest album is shape-shifting network of Black musical traditions.
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sleep like it's winter
by Jim O'Rourke
supported by 130 fans who also own “MERCY CUTS I”
"Yes, yes in winter's better, After is easier to sleep, to go Over thoughts, with a book by Lucretius Open by your fingesr" Paolo Conte, "La donna d'inverno (Woman in Winter)".
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