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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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The brilliant new record from Yves Jarvis and Romy Lightman refracts pop music into dazzling shapes, resulting in gripping, high art songs.
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sleep like it's winter
by Jim O'Rourke
supported by 130 fans who also own “Middle Of Nothing”
"Yes, yes in winter's better, After is easier to sleep, to go Over thoughts, with a book by Lucretius Open by your fingesr" Paolo Conte, "La donna d'inverno (Woman in Winter)".
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hybtwibt?
by Space Afrika
supported by 115 fans who also own “Middle Of Nothing”
the tiny moments we all take for granted, in music and in life, amplified and magnified and forcing us to confront the uncomfortable, the mundane, the sublime. what more can be said of flawlessness?
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