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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Everywhere at the end of time
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It's humbling. A reminder to make good life choices. It's also a place to get lost for an extended time in the here and now.
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Arc Mountain
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A meeting of the minds, guaranteed to melt yours.
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More playful, jazz-infused electronica from UK producer Sad Man, full of intricately layered arrangements and sumptuous percussion.
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Exit Ghosts
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A glimmering ambient suite from Swedish composer Tomas Nordmark draws connections between the NYC avant-garde scene and classic film scores.
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sleep like it's winter
by Jim O'Rourke
supported by 127 fans who also own “The Illusion Of Having Plans”
"Yes, yes in winter's better, After is easier to sleep, to go Over thoughts, with a book by Lucretius Open by your fingesr" Paolo Conte, "La donna d'inverno (Woman in Winter)".
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Steamroom 40
by Jim O'Rourke
supported by 111 fans who also own “The Illusion Of Having Plans”
Every time you listen to this, you hear something new. It's incredible.
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